Margot at the Wedding (2007)

Sure, like all of Noah Baumbach's efforts, there is a required level of class condescension—in this case, of, say Deliverance-sized proportions—but the frenetic in-the-action staging (and, to a lesser degree, pervasive handheld camerawork) create an immediacy and a sort of verite veneer that almost makes you believe that these types of people could exist in the real world. Overly everything, including charming.